Performance

RMK Around the Bay

For its 25th season, beginning in January 2020, Robert Moses’ Kin is holding Pop-Up Performances every month around the Bay Area. Each of these shows will feature one Bay Area premiere (re-stagings of previous commissions from Alvin Ailey, Philadanco, Cincinnati Ballet, etc.) plus other audience favorites.

This March rendition of RMK Around the Bay is accompanied by a workshop for advanced/professional dancers. It will take place on March 29th from 10am till 1pm at the Joe Goode Annex and costs $30 to attend. If you are interested in attending the workshop, please email [email protected] and include your resume.

SHOW TIMES:
Sunday, March 29, 2020 – 3:00pm

Hope Mohr Dance Presents
Ode (to forgotten bodies)

New dance by Hope Mohr co-created with performers Belinda He, Jane Selna, Natalya Shoaf and Karla Quintero in collaboration with sculptor Danae Mattes

Show times:

Friday March 27, 8 PM (Benefit performance)
Saturday March 28, 8 PM

Image courtesy of Danae Mattes, all rights reserved

RMK Around the Bay

For its 25th season, beginning in January 2020, Robert Moses’ Kin is holding Pop-Up Performances every month around the Bay Area. Each of these shows will feature one Bay Area premiere (re-stagings of previous commissions from Alvin Ailey, Philadanco, Cincinnati Ballet, etc.) plus other audience favorites.

This January rendition of RMK Around the Bay is accompanied by a workshop for advanced/professional dancers. It will take place on January 31st from 10am till 2pm at the Joe Goode Annex and costs $30 to attend. If you are interested in attending the workshop, please email [email protected] and include your resume.

SHOW TIMES:
Friday, January 31, 2020 – 7:30pm

Amy + Hannah Wasielewski are sisters who live, heal, and dance together. We investigate our shared imprints and unwind our innocence. Maybe we are cowboys. Maybe we are good girls. We are haunted yet tender.  This work features music by some of our favorite 90s female stars and experimental sound by Sangeeth Kumar.

Kim Ip presents “A Crossroad”, an inquiry about the 11 year long conservatorship Britney Spears has been living with. Pure fandom meets intense empathy for a star who has been trapped by mental illness.

Rants, dance, and chants by Keith Hennessy

Two performances only
This is the last chance to see this work in the Bay Area

Sink’s approach to current politics waivers between punk and contemplative, transformative and fucked. Loneliness, a lifejacket, a white man, a shadow dance, a sad angry song, and love, suspended.

“Sink is a clarion call for justice, the miracle of surviving, and an amazing journey that embraces a volcano of everyday emotions… with wild bursts of sentimentality and moments of savage beauty and grace.” John Wilkens, KQED

The performance is an embodied response to the current political, economic, and social shifts that have produced not only Trump and Brexit, Erdogan and Duterte, but also the massive refugee crises all over the world, the mass shootings in Christchurch, Charleston, and Gilroy, and normalization of precarity in all sectors (financial instability, impossible debt, depression, anxiety, poverty, incarceration, species extinction, climate chaos and existential fears…).

An intimate and confrontational portrait of the current era, Sink features poetic texts, contemplative dances, dark satire, plaintive chanting, re-processed nazi music, and an aerial dance.

Hennessy says, “Sink is a personal experiment… I’m feeling fragile and distracted and that’s partly structural. I’m responding to hate and terror, shame and paralysis, the will to survive competing against the urge to implode/explode. I’m reaching in new and old directions, dancing contemplatively, climbing dangerously, singing my guts out, asking too many questions at once: Is freedom a useful concept to motivate dancing? Can a performance be a spell of support for Syrian and Sudanese refugees or victims of fire, hurricane and government betrayal? Is there a non harmful role for the white and male artist? In our need to create contexts for healing, care, and trauma relief, how can I defend artistic provocation or abstract formalism?”

Sink, verb: going under, to fall or drop gradually, to displace the volume by descending
Sink, idiom: everything but the kitchen sink

SHOW TIMES:
Friday, November 1st, 2019 @8:00pm
Saturday, November 2nd, 2019 @7:00pm

Rants, dance, and chants by Keith Hennessy

Two performances only
This is the last chance to see this work in the Bay Area

Sink’s approach to current politics waivers between punk and contemplative, transformative and fucked. Loneliness, a lifejacket, a white man, a shadow dance, a sad angry song, and love, suspended.

“Sink is a clarion call for justice, the miracle of surviving, and an amazing journey that embraces a volcano of everyday emotions… with wild bursts of sentimentality and moments of savage beauty and grace.” John Wilkens, KQED

The performance is an embodied response to the current political, economic, and social shifts that have produced not only Trump and Brexit, Erdogan and Duterte, but also the massive refugee crises all over the world, the mass shootings in Christchurch, Charleston, and Gilroy, and normalization of precarity in all sectors (financial instability, impossible debt, depression, anxiety, poverty, incarceration, species extinction, climate chaos and existential fears…).

An intimate and confrontational portrait of the current era, Sink features poetic texts, contemplative dances, dark satire, plaintive chanting, re-processed nazi music, and an aerial dance.

Hennessy says, “Sink is a personal experiment… I’m feeling fragile and distracted and that’s partly structural. I’m responding to hate and terror, shame and paralysis, the will to survive competing against the urge to implode/explode. I’m reaching in new and old directions, dancing contemplatively, climbing dangerously, singing my guts out, asking too many questions at once: Is freedom a useful concept to motivate dancing? Can a performance be a spell of support for Syrian and Sudanese refugees or victims of fire, hurricane and government betrayal? Is there a non harmful role for the white and male artist? In our need to create contexts for healing, care, and trauma relief, how can I defend artistic provocation or abstract formalism?”

Sink, verb: going under, to fall or drop gradually, to displace the volume by descending
Sink, idiom: everything but the kitchen sink

SHOW TIMES:
Friday, November 1st, 2019 @8:00pm
Saturday, November 2nd, 2019 @7:00pm

This intimate evening of dance with the Printz Dance Project will include past repertory favorites along with new company work, a performance workshop piece , and screening of a short dance film.  This event is a benefit show to spark funding for PDP’s 2020 Season, and will include nightly raffles, photo booth, fun giveaways and more.

Choreography: Stacey Printz (with additional work by Suzy Myre)

Lighting/Video Design: Wolfgang Wachalovsky

PDP Dancers/Creative Collaborators: Jenni Bregman, Louis Acquisto, Kim Holt, Sadie Carhart, Katie Wong, Will Woodward, Stacey Printz, Suzy Myre, Niara Hardister

Workshop Participants: Camille Henrot, Jessica Brown, Jen Mayawaka, Jeanette Male, Xiomara Bovell, Kyleigh Carlson, Lindsay Ryan, Elise Johnson, Devon Chen, Jaime Bardacke, Tony Fang, Felice Shieh

Show Times:

Thursday 11/7 /19 @ 8:00pm – Post Show Q&A with the company and opening night reception.
Friday 11/8 /19 @ 8:00pm
Saturday 11/9/19 @ 5:00pm and 8:00pm + Post show Q&A with the company, and closing night reception.
*Saturday 11/9/19 @ 4pm – A FREE 30 min all-levels class (no experience needed)