Performance
New Work presented by Tim Rubel Human Shakes
Tim Rubel Human Shakes presents: A world premiere yet-to-be titled.
Choreography by Tim Rubel, in collaboration with the dancers
Show Dates & Times:
Thursday, June 29 | 8pm
Friday, June 30 | 8pm
Saturday, July 1 | 8pm
Run Time: 75 mintues | Short Intermission | Concession will be available
dancers: KJ Dahlaw, Jess DeFranco, Colin Epstein, and Hannah Westbrook (2022). Photo: Elkin Cortez
* Description: Four dancers appear in a light sillhouette on a stage in front of a bright red backdrop. Their arms are linked as they pull against each other in a horizontal line. All of their knees are bent. The dancer on far right side of the image looks at the others, while the other three have their focus turned inward. Each dancer is wearing differently styled shirts and pants.
“Horizon Stanzas” new dance by Hope Mohr
Choreographer Hope Mohr premieres a powerful new work of dance theater, Horizon Stanzas, inspired by Alice Notley’s feminist epic poem, The Descent of Alette. The cast is a dream team of three amazing dancer collaborators: Belinda He, Suztte Sagisi, and Tegan Schwab-Alavi. Lighting design by Del Medoff. Masks by Ella Noe.
Notley’s poem follows the protagonist’s journey through a dreamlike underworld to kill “the tyrant.” The dance isn’t a verbatim staging, but rather inspired by Notley’s haunting imagery and intentions, specifically the poem’s re-imagining of inherited forms.
“Emotional and socio-political contents ride underneath the surface of a rigorous vocabulary”
— DanceViewTimes
“Insistently inventive” — East Bay Times
For information about the artist, visit www.hopemohr.org
Show Dates & Times:
Thursday, 4/27/23, 7:30pm
Saturday, 4/29/23, 7:30pm
Sunday, 4/30/23, 7:30pm
60 minutes| No Intermission | No Concessions
*Made possible with the support of individual donors, Bridge Live Arts (Affiliated Artist), and Zaccho Dance Theater (Artist in Residence).
Photo by Robbie Sweeny
Dancers pictured (L to R): Suzette Sagisi, Tegna Schwab-Alavi, Belinda He.
Dance Lovers 11 presented by James Graham Dance Theatre
Duets by:
Joe Goode & Pangaea Colter
Emma Lanier & Paul Lanier
Momo Akrami & Indrek Kornel
Shaunna Vella & Andrew Merrell
Carolina Czechowska & Jamielyn Duggan
Hien Huynh & James Graham
Show Times:
Thursday 2/16 | 8pm
Friday 2/17 | 8pm
Saturday 2/18 | 8pm
For more information about the James Graham Dance Theatre email [email protected]
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COVID Protocols: The Annex requires audiences to be masked at all times. No concessions will be available. Proof of vaccination or a negative covid test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test. Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care. Please contact [email protected] if you have questions or concerns.
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Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs. Please contact [email protected] if you will be using ADA seating or need any additional accommodations.
“Vitales” by A Pulso Dance Project
Vitales is a showcase of Contemporary works created by A Pulso Artistic Director’s Andi Salazar and Guest Choreographers Francesca Cipponeri, Stephanie Tobon, and Sawako Ogo, that came to life with the idea of sharing different perspectives around the theme of survival surrounding the questions of why we are alive, and what motivates us to keep fighting to be so in a world in which survival has become a real challenge.
Each choreographer brings their own vision to live in a night full of dance, energy and community.
“Vitales” by A Pulso Dance Project runs Friday and Saturday, October 21st & 22nd @ 8pm | Sunday October 23rd @ 6pm
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COVID Protocols: The Annex requires audiences to be masked at all times. No concessions will be available. Proof of vaccination or a negative covid test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test. Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care. Please contact [email protected] if you have questions or concerns.
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Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs. Please contact [email protected] if you will be using ADA seating or need any additional accommodations.
Shruti Abhishek presents MARGAM
Margam marks Shruti Abhishek’s first full length solo work as Bharatanatyam dancer in the San Francisco Bay Area. This is a gift to herself after being in the United States for a decade and a celebration of belonging, community, and motherhood all still being found in a new homeland.
Before embarking on her solo journey in the United States, Shruti studied with Rohini Singhi, and this performance is an homage to both her early training and the continued process of revealing the multiple layers that inhabit Bharatanatyam, an art form that is her second skin. Shruti owes her practice to her teachers and to the hereditary dancers and their tireless work.
Since 2012, she has been learning from Vaibhav Arekar, who is also the Director and Choreographer of Margam. Ensemble musicians are Sindhu Natarajan on Vocal, Vikram Raghukumar on Violin, Srinath Bala on Mridangam (percussion), and Vaibhav Arekar on Nattuvangam (Cymbals).
Margam will be presented at Joe Goode Annex (401 Alabama St, San Francisco) on Saturday, October 29, 2022, at 6 pm. Margam means a path or a course followed. It is one full definite course where in dance items are performed in a traditional order.
COVID Protocols:
The Annex requires audiences to be masked at all times. No concessions will be available. Proof of vaccination or a negative covid test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test. Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care. Please contact [email protected] if you have questions or concerns.
Accessibility:
Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs. Please contact [email protected] if you will be using ADA seating or need any additional accommodations.
Entre Despierto Y Dormido | Rogelio Lopez & Dancers
You know that thing? When you feel like you can never be yourself because the “NORM” says you are too Gay and too Mexican, so they just cast you aside like a glittery sombrero? This piece is very that. Foxes, Bunnies, Femme Boys – Oh my! – are the travelers Entre Despierto y Dormido. In this new work by Rogelio Lopez and Dancers, fantasies, anxieties, and a floral print merge on a search for an essential essence that has been shamed away. A search that feels futile because the “self” has been stripped, replaced, and tweaked so often that authenticity exists merely as a concept. This piece is an outpouring cry of a person who has put to sleep so much of himself in order to “succeed” in a society that constantly reminds him that he doesn’t belong.
Friday, October 14th | 8:00pm
Saturday, October 15th | 7:00pm
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COVID Protocols
The Annex requires audiences to be masked at all times. No concessions will be available. Proof of vaccination or a negative covid test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test. Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care. Please contact [email protected] if you have questions or concerns.
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ACCESSIBILITY
Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs. Please contact [email protected] if you will be using ADA seating or need any additional accommodations.
The Arangham presents: Nauka Charithram
We are happy to share our new initiative “The Arangham- A platform for creative endeavors” with you all. Mission : Create a space for artists to share their work and creative ideas with the community.
The Nauka Charitam is a shorter play in one Act with 21 kritis set in 13 ragas and 43 verses in the Telgu in different metres. It is the most popular of Thyagaraja’s operas as the story is of captivating interest. The opera is full of delightful music and beautiful poetry. There are 47 padyas, 51 vachanas and 21 kritis (set to 13 ragas) in Nauka Charitham. Krishna has been depicted as a boy of about seven years of age. The play describes a boat journey by the Gopis and the 7 years old Krishna on the Yamuna river. Krishna creates an illusory storm to challenge the pride of the Gopis. Saint Thyagaraja portrays the surrender of the Gopis to Krishna. The play has 21 Kritis with the first and the last kriti in the same Raga ‘Suratti’.
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COVID Protocols:
The Annex requires audiences to be masked at all times. No concessions will be available. Proof of vaccination or a negative covid test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test. Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care. Please contact [email protected] if you have questions or concerns.
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ACCESSIBILITY INFO
Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs.
Please contact [email protected] if you will be using ADA seating or need any additional accommodations.
LASOS | REYES Dance
LASOS, Spanish word for ties, is a new work of film and live performance exploring the links between childhood trauma and chronic pain within the context of Latin American culture and traditions.
Conceived and directed by Jocelyn Reyes, LASOS mines the artist’s personal story of recovery from debilitating pain. Like many first-generation Latin Americans living in the U.S., Reyes received a loving but severe upbringing in which corporal punishment was commonplace. After moving to San Francisco in 2017, she began to develop signs of fibromyalgia, a condition which eventually overwhelmed her central nervous system leaving her bedridden for months. LASOS explores the journey Reyes made in the year that followed, uncovering the hidden ties between her childhood experience of abuse and her present-day affliction. With LASOS, Reyes aims to give hope that it’s possible to break the cycle of suffering just as it’s possible to break the cycle of violence.
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Thursday, September 29 | 8pm
Friday, September 30 | 8pm
(7:15pm – pre-show discussion with pain psychologist Valerie Wei-Yee Jackson)
Saturday, October 1 | 8pm
(with post-show reception)
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In the creation of LASOS, Reyes will be collaborating with movement artists Jess Bozzo, Caitlin Hicks, Maya Mohsin and Brooke Terry, music composers Emmet Webster, Michael Webster and Wolf Woodcock, lighting designer Grisel Torres and costume designer Monique Prieto.
LASOS is generously supported by the Joe Goode Performance Group Co-Production Program, the CA$H Grant from Dancers’ Group and the San Francisco Arts Commission.
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COVID PROTOCOLS:
- The Annex requires audiences to be masked at all times. No concessions will be available.
- Proof of vaccination or a negative COVID test dated within 72 hours of the event are required. Children under 5 may attend without proof of vaccination or a negative test.
- Fully vaccinated performers may be unmasked on stage. Our COVID policies are based on scientific knowledge, the current local conditions of the pandemic, and our ethos of accessibility and community care.
Please contact [email protected] if you have questions or concerns.
~~
ACCESSIBILITY
Joe Goode Annex is a wheelchair accessible theater (ramp to front entrance, no internal stairs) with wheelchair seating available for up to six power or manual wheelchairs. Theater seats are movable and have no armrests. Wheelchairs can be seated next to each other and next to theater seats. The Annex has two single-stall all-gender restrooms that are accessible for power and manual wheelchairs.
Please contact [email protected] if you will be using ADA seating or need any additional accommodations.