Still Standing has completed its 2018 run.
Please email us if you would like to be added to a wait list or are interested in ushering for future show opportunities: firstname.lastname@example.org.
2018 Show Dates
Thursday, July 19, 8pm
Post-Show Concert:Tassiana Willis
Friday, July 20, 8pm
Saturday, July 21, 5:30pm AND 8pm
Sunday July 22, 3pm AND 5:30pm
Thursday, July 26, 8pm
Post-Show Concert: Shawna Virago
Friday, July 27, 8pm
Saturday, July 28, 5:30pm AND 8pm
Sunday July 29, 3pm AND 5:30pm
Thursday, August 2, 8pm
Post-Show Concert: Ben Juodvalkis
Friday, August 3, 8pm
Saturday, August 4, 5:30pm AND 8pm
Sunday, August 5, 3pm AND 5:30pm
The stunning Haas-Lilienthal house embodies so much of San Francisco’s progressive spirit of innovation and resilience. It’s a survivor, a place of respite, and a symbol of reinvention.Using real, written, and imagined stories from the dancers and musicians, Joe Goode explores how we find resilience, persist, and reinvent. The work transports audiences through San Francisco’s historic Haas-Lilienthal House, a mansion built in 1886. Still Standing asks: What do we want to become? Can we be bold enough to reinvent ourselves?
Just as this grand old house is still standing, the spirit of San Francisco as a place of alternative thinking, innovation, even reinvention, is still standing.
Marit Brook-Kothlow – JGPG company member
Molly Katzman – JGPG company member
Damara Ganley – JGPG company member
James Graham – JGPG company member
Patricia West – JGPG company member
Still Standing featured original music by musician/composer Ben Juodvalkis, in addition to a number of other musical collaborators, including Tassiana Willis, Lila Blue and Shawna Virago.
by Tassiana Willis
by Lila Blue & Ben Juodvalkis
“I Will Burn”
by Lila Blue, Ben Juodvalkis, & Marit Brook-Kothlow
by Lila Blue & Ben Juodvalkis
“The High Road”
by Shawna Virago
The Haas-Lilienthal House embodies both the progressive spirit that distinguishes San Francisco’s cultural landscape and the Victorian grandeur of its built environment. Constructed in 1886 by Jewish immigrants, this Queen Anne gem was spared destruction in the 1906 Earthquake and Fire, and survives miraculously intact today as a site of national cultural and architectural significance. Read more about The House here.
Still Standing is a performance that lasts 90 minutes. Audiences will be asked to move throughout the 3 main floors of the mansion.
All guests will be required to wear a mask during the performance. One will be provided when you arrive.
There are no intermissions or breaks. Please arrive 30 minutes in advance of your ticket time to ensure you have time to settle in.Restroom use encouraged before performances. All restrooms are gender-neutral. One accessible restroom is available on the ground floor.
Please review your receipt once you’ve purchased a ticket. Ensure you have the right date & time. No refunds! You will check in at the tour entrance on the ground floor of The House.
There is a complimentary coat check. All bags must be checked during performances.
The performance is not recommended for those under age 13.
Limited seating and accessible options are available for all shows. Please email email@example.com with the day & time of your ticket purchase. Include details about your accessibility needs.
All ticketing inquiries can be sent to firstname.lastname@example.org
All additional questions can be sent to email@example.com
All special donor event questions: firstname.lastname@example.org
Still Standing Producers:
John Sander and Patti White, Nancy Livingston and Fred Levin, The Shenson Foundation, Regina and Irene Dick-Endrizzi, Frances Hellman and Warren Breslau, Norman Abramson and David Beery
With additional support from: The Kenneth Rainin Foundation, The Bernard Osher Foundation, National Endowment for the Arts, and the San Francisco Arts Commission
KQED: Featured Event
Tune in to KQED to hear a short radio spot for Still Standing.